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・ Idlewild (film)
・ Idlewild (Fredericksburg, Virginia)
・ Idlewild (Media, Pennsylvania)
・ Idlewild (novel)
・ Idlewild (Outkast album)
・ Idlewild (Talladega, Alabama)
・ Idlewild (They Might Be Giants album)
・ Idlewild and Soak Zone
・ Idlewild Blue (Don'tchu Worry 'Bout Me)
・ Idlewild discography
・ Idlewild Farm Complex
・ Idlewild Mansion (Fredericksburg, VA)
・ Idlewild Park (Reno, Nevada)
・ Idlewild Presbyterian Church
・ Idlewild Road Park (Charlotte, North Carolina)
Idlewild South
・ Idlewild, California
・ Idlewild, Del Norte County, California
・ Idlewild, Kentucky
・ Idlewild, Michigan
・ Idlewild, Placer County, California
・ Idlewild, Tennessee
・ Idlewild, Tulare County, California
・ Idlewild, Wisconsin
・ Idlewilde (Indian Springs, Georgia)
・ Idlewood Beach, Wisconsin
・ Idleyld Park, Oregon
・ IDLH
・ Idli
・ Idli podi


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Idlewild South : ウィキペディア英語版
Idlewild South

''Idlewild South'' is the second studio album by American Southern rock band the Allman Brothers Band. Produced by Tom Dowd, the album was released on September 23, 1970, in the United States by Atco Records and Capricorn Records.
Following the release of their 1969 debut, the Allman Brothers Band toured the United States extensively to promote the album, which had little commercial success. Their performances, however, did create positive word of mouth exposure that extended to more famous musicians, such as Eric Clapton, who invited group leader Duane Allman to contribute to his 1970 album ''Layla and Other Assorted Love Songs''.
As a result of the band's relentless touring schedule, ''Idlewild South'' was recorded gradually over a period of five months in various cities, including New York, Miami, and Macon, Georgia, the band's home. Tom Dowd had previously been sought to record the group's debut but had been unavailable. The material presented on ''Idlewild South'' was written during this period and tested out on the road at shows. The album's title comes from the band's nickname for a rustic cabin the band rented out and used for rehearsals, as well as parties. ''Idlewild South'' contains two of the band's best-known songs, "Midnight Rider" (later a hit for various artists) and "In Memory of Elizabeth Reed", which became one of the band's famous concert numbers.
The album was released in September 1970 but again failed to achieve significant success. Sales began to grow, however, due to over 300 shows the band put on in 1970, setting the stage for their artistic and commercial breakthrough with 1971's live follow-up album, ''At Fillmore East''.
==Background==
By August 1969, the Allman Brothers had recorded their self-titled debut, ''The Allman Brothers Band'', released that November on the Atco label by Capricorn Records. The record received a poor commercial response, selling less than 35,000 copies upon initial release. Executives suggested to the band's manager and Capricorn president, Phil Walden, that he relocate the band to New York or Los Angeles to increase their exposure. "They wanted us to act "like a rock band" and we just told them to fuck themselves," remembered Trucks. For their part, the members of the band remained optimistic, electing to stay in the South. "Everyone told us we'd fall by the wayside down there," said Gregg Allman, but the collaboration between the band and Capricorn Records "transformed Macon from this sleepy little town into a very hip, wild, and crazy place filled with bikers and rockers." In March 1970, Oakley's wife rented a large Victorian home on 2321 Vineville Avenue in Macon, which they dubbed "the Big House".
''Idlewild South'' would be the band's first effort with Dowd, known for his work with artists such as Cream and John Coltrane. Dowd first heard the band rehearsing while visiting Capricorn Sound Studios in Macon, asking their name and remarking to Walden, "Get them the hell out of there and give them to me in the studio. They don't need to rehearse; they're ready to record." Dowd was initially scheduled to work with the band on their debut but was called away at the last minute. Initially, the band had asked friend and colleague Johnny Sandlin to produce the album, but as recording inched closer, it became obvious they wanted him to co-produce with Dowd. In one of their first sessions, Sandlin was giving suggestions and acting as a co-producer, though no one had informed Dowd; Sandlin was embarrassed and did not return to the studio.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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